Magritte experimented with Impressionism and Cubism, drawing inspiration from artists like Picasso and Giorgio de Chirico.
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1920s
Early experiments
“Nude” 1919
1930s
Surrealism
“The double secret” 1927
Established his signature surrealist style by portraying everyday objects in unexpected and imaginative ways.
1940s
"Renoir Period"
“The first day” 1943
During World War II, Magritte adopted a brighter, more impressionist-like style known as his "Renoir Period."
1950s
Classic Surrealism
“Golconda” 1953
Returned to his surrealist roots with works that became even more refined and polished.
1960s
Last days
“The Art of Living” 1967
Magritte died of pancreatic cancer in August 1967, leaving a timeless legacy in the art world.
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The Son of Man (1964)
Represents hidden identity and the idea that what we see is often obscured by what we cannot see.
The Treachery of Images (1929)
Challenges the difference between reality and representation — a picture of a pipe is not an actual pipe.
Golconda (1953)
Depicts conformity and the surreal blending of the ordinary and fantastical, with floating figures representing the tension between individuality and uniformity.
The Lovers (1928)
Symbolizes mystery and separation in relationships, as the figures are unable to truly connect.